Collapsed Amityville Horror Director Ryan Katzenbach expected, the part 2

The continuation of an interview with director Ryan Katzenbach 1 part in the new documentary film hopes clouds: the true story of the death of Amityville (here part 1) below. "It represents what went into Amityville, and the story of a family DeFeo specifically, because any movie before," says Katzenbach.

Alexandra Holzer: You have a long and friendly relations with major work in the long run, and all around amazing veteran actor Edward Asner, who narrates the film. How do you meet?

Ryan Katzenbach: Frankly, I can not even remember the exact details. It was during the "network." Everyone knows in Los Angeles who knows someone, and someone has said about the screenplay written by Ed, called me ... Was taken and completely off guard by the call. He sent me the script, liked it, and pledged to play a role in the script. It was nearly seven, maybe eight years ago, and I am increasingly surprised and honored and proud to have Ed as a friend, and amazes me every time you undertake to participate in my madness. I laughed once, when there is nothing wrong in the project, and I told Ed, "I am surprised more than a sign of insanity my country," and he looked at me, and very dry, and says: "I am also Katzenbach, I, too," I first met Ed, who was in a bar in Sunset Boulevard in the months after reading the script. I was very nervous and I approached him and introduced myself on the spot and say, "Oh, and sit and sit." But access is very, very humble, very generous. In each project I do, and there will always and forever be the point of Ed Asner, who must continue to bear the insanity of my efforts. I have always admired and appreciated for the people of the old school Hollywood. They are the ones who take really shine. These are men such as Robert Evans, of course, Ed, and directors such as Gary Marshall ... Children know that you can have all the stars you want in the project, but if, and Robert Evans, "is not on the page, then you have nothing." There was a strong commitment to the material itself ... The history of the King and these people were the real artisans craft.